David Ibbett, Composer
 
 
 
 
 
 
 
Composer David Ibbett encodes the dreams and details of complex physics phenomena into music to help audiences appreciate their splendour.
— Nature, The Sound of Stars
 

“Acoustic ears driving a cybernetic imagination” Lawrence de Martin, Acoustic Engineer

“David’s work as a composer is incredibly beautiful, and it’s such a unique fusion where every component is ingrained in science research, which is unique in this field. It’s changing the landscape of science communication”
Boston Globe Review of Black Hole Symphony

“Your stuff SO captures the essence [of black holes] - it’s insane!” Jim Braude, WGBH News

“United States’ particle physics and accelerator laboratory Fermilab announced… the institute’s first guest composer, David Ibbett.”
Eva Amsen, Forbes Magazine

“In its dedication to the new and unknown, Black Hole Symphony inspires as much as it informs” New Scientist, Bethan Ackerly


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Octave of Light

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Composer David Ibbett at the Harvard-Smithsonian Center for Astrophysics

David Ibbett, Ph.D. is a composer, educator and musical advocate for science. Based in Boston, he is a Professor at WPI and directs the Multiverse Concert Series, a project that integrates music and science in live performance.

In 2023, David was named the first Resident Composer at the Center for Astrophysics | Harvard & Smithsonian.

David composes electrosymphonic music: a fusion of classical and electronic styles that interweaves influences from songs, symphonies, pop, rock and electronica. Musical strands are met with inspiration from the work of scientists: sonified data, musical metaphors for scientific theories, and experimental sound and images from cutting edge research. Read more in Nature and About.

 
 
 
 
 
 

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Talks

Talk Back: Black Hole Symphony
at the National Academy of Sciences, November 2024

Mini-Documentary on Black Hole Symphony
Museum of Science, Boston 2023

WGBH Public Radio, Interview and Performance with
Art of Polymers, September 2022

(segment starts at 2h 8 min)


WGBH Public Radio, Interview and Performance with
Black Hole Symphony, July 2022

(segment starts at 2h 15 min)

Art of Polymers with Duke and MIT, January 2021

Neutrino Music with Fermilab, December 2020

Other Skies: an Exoplanetary Festival, March 2021

Exploring Exoplanets Through Music, Science Museum of Virginia, December 2020

Octave of Light Album Launch, November 2020

Return to the Reef, October 2020

Unfolding Life, June 2020



 
 
 
 
 
 
 
 

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PreSS

“In its dedication to the new and unknown, Black Hole Symphony inspires as much as it informs.” New Scientist article on Black Hole Symphony by Bethan Ackerly

“Your stuff SO captures the essence [of black holes] - it’s insane!” Jim Braude GBH News

“David’s work as a composer is incredibly beautiful, and it’s such a unique fusion where every component is ingrained in science research, which is unique in this field. It’s changing the landscape of science communication” Boston Globe Review of Black Hole Symphony

“Bringing the science of the universe to everyday listeners through music.” GBH News

“Somehow science and music illuminated the wonders of the larger cosmos within that seemingly microcosmic dome…transparent to time and distance” Synaesthesia to the Nth Degree review of Black Hole Symphony by Stephanie Oestereich, Boston Music Intelligencer

“Combining orchestral and electronic elements, his compositions unlock the surprising layers of drama, foreboding, and hope hidden within the charts and figures that describe some of humanity's most significant discoveries. They bring a sense of wonder to the age of stunning scientific advancement we're living through.” - Berklee College of Music Article and Podcast

“Running the complex edge between the familiar and novel, utilizing the technology without becoming seduced by it, acoustic ears driving a cybernetic imagination - and you can quote me on that” Lawrence de Martin, Acoustic Engineer

Octave of Light featured in New Scientist - February 2021 “Don’t Miss: Listen”

“The discovery of habitable exoplanets. Music to his ears.” Big Picture Science Radio Show & Podcast on Octave of Light Album

“Composer David Ibbett encodes the dreams and details of complex physics phenomena into music to help audiences appreciate their splendour.” Nature

“United States’ particle physics and accelerator laboratory Fermilab announced… the institute’s first guest composer, David Ibbett.” Eva Amsen, Forbes Magazine

Astronomy “Octave of Light” turns exoplanet data into music

“The opening track “Water Romanza”; a sprawling and gorgeous introduction to the world Ibbett has created, bolstered by Sterling’s impressive vocal” Andrew Bourque of the Allston Pudding on Octave of Light album

“Ibbett’s compositions give a new interpretation on scientific data that can make work like Sousa-Silva’s perhaps feel slightly more tangible to an outsider. But even Sousa-Silva herself looked at her research in a new way after hearing the compositions.” Eva Amsen, Forbes Magazine

“Ibbett lengthened these light waves to lower their high frequency and ‘translate’ them into sound waves the human ear can detect. The result was haunting pieces of music that let us listen to the possibility of extraterrestrial life.” Sara Truuvert, Art The Science

“David Ibbett’s Multiverse Concert Series is an intriguing exploration of exoplanetary research, interpretive composition, and data sonification. Wide-ranging musical translations reveal the grace and intricacy of light spectroscopy and red edge reflectance creating new sonic worlds and Minjin Chung’s beautifully pared down performance of ‘Phosphine: Life Anaerobic’ on solo cello. The universe beyond our solar system seems so much closer.” Seisma Magazine

“With its modern musicality, “Particle of Doubt” underscores that neutrinos are neither massless nor changeless – nor voiceless.” Leah Hesla, Fermi National Accelerator Laboratory

“His love and skill in combining music and science was such an exciting new venture for the lab to explore.” Janet Mackay-Galbraith, Head of the Arts and Lecture series at Fermilab

“It will be an out of this world experience when David Ibbett… debuts his first album, "Octave of Light," in a performance at the Boston Museum of Science” Richard Duckett, Worcester Telegram & Gazette

“Multiverse Concert Series continues to be one of the most exciting companies I have had the pleasure of experiencing as an audience member, let alone collaborating with and presenting as a part of our Adult Programming at the Museum of Science, Boston. Their work is the epitome of why it is crucial for us as a society to examine STEM-related issues through an artistic lens and the beautiful end results that come from fusing together art, science and technology. The talent driving the company forward is simply astounding- and audiences remain riveted, captivated and intellectually stimulated the entire time the incredible lineup of scientists, experts, artists and performers commands the stage or screen. I think their work is groundbreaking and revolutionary for audiences of all ages- something not many can accomplish. I am honored to have them becoming a quick staple and highlight of our ongoing programming.” James Wetzel, Producer of Adult Programs at Museum of Science, Boston

“A WPI professor is set to debut his first musical album this week and it's out of this world.” Spectrum News Channel, Worcester MA

“David Ibbett’s Branches, a work that juxtaposes the upper register of marimba and the lower warmth of the bass clarinet register… consistent and dry percussive loops over which lyrical melodies float, and the piece is structured around a dream-like marimba solo. Advocat’s bass clarinet sound reaches peak density in this work.” Mathew Younglove, I Care If You Listen

“Is life sustainable on other planets? If music is a clue, David Ibbett, Professor of Arts & Sciences, [at WPI] can tell you the answer.” Jessica Messier, Worcester Polytechnic Institute Blog

“Molecules are halfway to being musical instruments to begin with, because like a violin string, a molecule vibrates and rotates and resonates. That's similar to what David is actually doing with musical instruments.” Roy Gould, Harvard Center for Astrophysics

“David has undertaken a project to sonify the chemical spectra data for exoplanets. That is, to turn their chemical signatures into sound… He's carrying out an experimental idea that some exoplanet hunters have proposed because our ears are fine tuned instruments. They're able to detect tiny changes in a wide range of frequencies. For example, we can hear eight octaves of sound - that's the run of a piano keyboard.” Big Picture Science Radio Show & Podcast on Octave of Light Album.

“I have felt completely immersed in the journey into the micro world that is beyond our senses. And you have successfully taken the whole audience into the place we couldn't experience in another way than art and music!“ Anna Barnacka, Black Hole Researcher

"David's music [for piano and electronics] is symphonic, lush, virtuosic, meticulously crafted, and full of so much heart" Sophia Subbayya Vastek, pianist

"The music is like Mozart mashed up with Club Beats and Electronica" Original Gravity Concert Series

“[Without Words], really appealed to us and we have taken it into our repertoire. It is the only commission on our CD and we love it. It has really pushed us technically, and opened doors to new ideas and compositions” Living Room in London

"Some may notice their toes are tapping while they groove to his exciting rhythmic complexities" Boston Music Intelligencer

 
 
 
 
 
 

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Music

Click the titles to see information about each piece, listen, purchase scores and view sample pages. Purchase of all electronics scores includes the design of an electronic patch to suit the needs of performance

Planetarium

Black Hole Symphony, is a collaborative production from the Museum of Science, Boston and Multiverse Concert Series. Audiences embark on a symphonic journey through spacetime, performed by a live orchestra accompanied by stunning, immersive planetarium visuals by the animators of the Charles Hayden Planetarium. Versions available for chamber or full symphony orchestra, planetarium or flat screen visuals.

www.blackholesymphony.com

 
 

Mars Symphony is an upcoming collaborative production from the Museum of Science, Boston and Multiverse Concert Series. Two movements premiered in 2023 by the Firebird Pops Orchestra, with the final project due to premiere in 2024 in Charles Hayden Planetarium.

www.marssymphony.com

Album

Octave of Light, an album of exoplanet music for piano, voice, violin and electronics. Visit the album webpage.

 
 

Works with Video

Neutrino Music (2020-), an unfolding album in collaboration with Fermilab, the Fermi National Accelerator Laboratory


Climate Hope Concert is an immersive program of works for cello, piano and video, performed and added to every year during Multiverse Concert Series’ Earth Month celebration.


Polycello (2020) feat. Minjin Chung - part of Art of Polymers with MIT and Duke Universities


Phosphine, Life Anaerobic, (2021) based on research by Clara Sousa-Silva of Harvard. Read about the project in Forbes.


Drosophila (2019) - Sarah Ibbett, violin. Video by Tomer et al 2012


Dendritic (2019) - feat. Jesse Christeson, cello.
Research by Irmgard Bischofberger and Qing Zhang, MIT. Animation by Jason Fletcher.


Works for Instruments and Electronics

Cellular Dance (2019) full length ballet or concert piece
for piano and electronics performer, 30’00”

Floods and Tears (2018) for piano and electronics, 11’30”

Phenomena of Growth (2017) for piano and electronics, 10'00"

Beauty From Nothing EP (2016) for piano and electronics, 20'00"

Branches (2015) for marimba, bass clarinet and electronics, 6'30"

Europa (2015) tone poem for flute (doubling piccolo, flute, alto flute) and electronics, 30'00"

Islands (2014) concerto for cello and electronics, 15'00"

For Mending (2011) song without words for cello & electronics, 5'00"

Cellosampler (2008) for cello and electronics, 5'40"

For Each Step (2011) song without words for violin & electronics, 4'45"

Cambrian Air (2011) for horn duo and electronics, 13'00"

Re: Noir (2009) for tenor saxophone and electronics, 9'40"
Concert version of dance score commissioned by choreographer Jacob Hobbs


Solo and Chamber Ensemble

The Snow Thawed And So Did We (2017) song without words for violin and piano, 4'00"

Here and Nowhere Else (2016) for percussion quartet, 10'00"

Roots (2015) for cello trio, 10'00"

Without Words (2010) for quintet: 3 hangs, clarinet/bclar, two violins and cello, 8'45"
- arrangements available with percussion/piano replacing hangs


Large Ensemble

stay tuned for recent Symphony projects

Albion Trails (2009) for octet: flute, clar/bclar, horn, vibraphone, harp, violin, viola, cello, 7'00"


Acousmatic

Piano Poems (2014) four electroacoustic miniatures, 7'40"

Miksang (2011) stereo acousmatic, composed to accompany a contemporary ballet by choreographer Letizia Mazzeo, 11'52"


Vocal

The Madness of Lady Macbeth (2009) for soprano and piano, 4'00"

 
 
 
 
 
 
 
 

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