Live In Concert
David Ibbett: Electro Symphony
Live in concert, David’s music takes the audience on an electro-symphonic journey of growth and discovery, bridging the worlds of classical chamber music with electronic beats and sampled sounds of the universe. Joined by virtuoso performers like pianist Sophia Subbayya Vastek, the program explores particle physics, the fractal patterns of nature, the growth of an embryo, bleached coral reefs and rising global seas.
Many of David’s pieces were composed in collaboration with the Music of Reality concert series, a project that combines music and science in live performance. He has collaborated with physicists, biologists, engineers, sociologists and oceanographers to create diverse multimedia works that come together in an immersive surround-sound performance.
Article: Pick of the Week 2/18/19- Timesunion
Article: David Ibbett, composer - Boston Voyager
Article: ALBUM REVIEW: Sophia Subbayya Vastek’s Histories - Second Inversion
Article: ’Reef Music’ concert explores underwater world through music - Daily Free Press
For bookings - Contact
Click the titles to see information about each piece, listen, purchase scores and view sample pages. Purchase of all electronics scores includes the design of a custom electronic patch to suit the needs of performance
Drosophila (2019) - footage by Tomer et al 2012
Works for Instruments and Electronics
Cellular Dance (2019) full length ballet or concert piece
for piano and electronics performer, 30’00”
Floods and Tears (2018) for piano and electronics, 11'30"
Phenomena of Growth (2017) for piano and electronics, 10'00"
Beauty From Nothing (2016) for piano and electronics, 20'00"
Branches (2015) for marimba, bass clarinet and electronics, 6'30"
Europa (2015) tone poem for flute (doubling piccolo, flute, alto flute) and electronics, 30'00"
Islands (2014) concerto for cello and electronics, 15'00"
For Mending (2011) song without words for cello & electronics, 5'00"
Cellosampler (2008) for cello and electronics, 5'40"
For Each Step (2011) song without words for violin & electronics, 4'45"
Cambrian Air (2011) for horn duo and electronics, 13'00"
Re: Noir (2009) for tenor saxophone and electronics, 9'40"
Concert version of dance score commissioned by choreographer Jacob Hobbs
Roots (2015) for cello trio, 10'00"
Where the Path Ends (2015) for horn and piano, 7'00"
Blues (2014) for viola and piano, 7'20"
Briar Rose (2014) for sextet: flute, clarinet, vibraphone, piano, viola and cello, 6'20"
Without Words (2010) for quintet: 3 hangs, clarinet/bclar, two violins and cello, 8'45"
- arrangements available with percussion/piano replacing hangs
Albion Trails (2009) for octet: flute, clar/bclar, horn, vibraphone, harp, violin, viola, cello, 7'00"
Lodestar (2009) for sinfonietta, 6'40"
Piano Poems (2014) four electroacoustic miniatures, 7'40"
Miksang (2011) stereo acousmatic, composed to accompany a contemporary ballet by choreographer Letizia Mazzeo, 11'52"
The Madness of Lady Macbeth (2009) for soprano and piano, 4'00"
Beauty From Nothing, for solo piano and electronics
Where does beauty come from? Did we invent it, or was it always here - a property of the universe?
Composer David Ibbett and pianist Sophia Subbayya Vastek met by pure happenstance in late 2015 and very quickly recognized an artistic and philosophical kinship. They have since brought Music of Reality to fruition – an event series that brings musicians, scientists, and other such creative minds together through a shared pursuit of discovery.
The Beauty From Nothing EP is their debut recording and was the organic outpouring of their work in Music of Reality. It is ultimately ecstatic music for piano and live electronics, through-composed by David, that explores the human, emotional response to learning about our origins and interconnectedness to all life.
Visit the EP's Bandcamp Page