David Ibbett, composer
David Ibbett, composer
"David's music [for piano and electronics] is symphonic, lush, virtuosic, meticulously crafted, and full of so much heart" Sophia Subbayya Vastek, pianist
"The music is like Mozart mashed up with Club Beats and Electronica"  Original Gravity Concert Series
“[Without Words], really appealed to us and we have taken it into our repertoire. It is the only commission on our CD and we love it. It has really pushed us technically, and opened doors to new ideas and compositions” Living Room in London
"Some may notice their toes are tapping while they 'groove to his exciting rhythmic complexities'" Boston Music Intelligencer
 
Featured Events:
Music of Reality - Reef Music @ BU
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David Ibbett headshot

David Ibbett is a British composer based in Boston. He has found musical inspiration in many places - songs, symphonies, pop, classical and the electronic - and bringing these strands together is his ultimate aim. The son of a scientist, he co-directs the Music of Reality performance series with pianist Sophia Subbayya Vastek.

David composes works for instruments and ensemble, often featuring live electronics. Projects span from chamber music (Albion Trails, 2009, BBC Symphony Octet) to inter-arts collaborations (Project 51, contemporary dance score for The Place Resolutions, 2012) and works for instruments and electronics (Beauty from Nothing EP, 2016). In all projects, he seeks a deep collaboration with musicians, scientists, artists and performers. 

-- Full Bio here

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Listen

Beauty From Nothing, for solo piano and electronics

Where does beauty come from? Did we invent it, or was it always here - a property of the universe? 

Composer David Ibbett and pianist Sophia Subbayya Vastek met by pure happenstance in late 2015 and very quickly recognized an artistic and philosophical kinship.  They have since brought Music of Reality to fruition – an event series that brings musicians, scientists, and other such creative minds together through a shared pursuit of discovery.  

The Beauty From Nothing EP is their debut recording and was the organic outpouring of their work in Music of Reality.  It is ultimately ecstatic music for piano and live electronics, through-composed by David, that explores the human, emotional response to learning about our origins and interconnectedness to all life.  

Visit the EP's Bandcamp Page

 
 

Without Words, for quintet - vln, vln, vc, bclar, hang

-- alternatively as a sextet for vln, vln, vc, bclar, marimba, perc

Albion Trails, for octet - fl/picc, clar/bclar, hn, hp, vib, vln, vla, vc

Re: Noir, for tenor saxophone and electronics

For Mending, song without words for cello & electronics

Piano Poems, electroacoustic miniatures

 

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List of works

Below is a list of my works available for hire 

Click the titles to listen, purchase scores and view sample pages

Works for Instruments and Electronics - various software options

Floods and Tears (2018) for piano and electronics, 10'00"

Phenomena of Growth (2017) for piano and electronics, 10'00"

Beauty From Nothing (2016) for piano and electronics, 20'00"

Branches (2015) for marimba, bass clarinet and electronics, 6'30"

Europa (2015) tone poem for flute (doubling piccolo, flute, alto flute) and electronics, 30'00"

Islands (2014) concerto for amplified cello and electronics, 15'00"

For Each Step (2011) song without words for violin and electronics, 4'45"

For Mending (2011) song without words for cello and electronics, 5'00"

Cambrian Air (2011) for horn duo and electronics, 13'00"

Re: Noir (2009) for tenor saxophone and electronics, 9'40"
Concert version of dance score commissioned by choreographer Jacob Hobbs

Cellosampler (2008) for cello and electronics, 5'40"

Solo and Chamber Ensemble

The Snow Thawed And So Did We (2017) song without words for violin and piano, 4'00"

Here and Nowhere Else (2016) for percussion quartet, 10'00"

Roots (2015) for cello trio, 10'00"

Where the Path Ends (2015) for horn and piano, 7'00"

Blues (2014) for viola and piano, 7'20"

Briar Rose (2014) for sextet: flute, clarinet, vibraphone, piano, viola and cello, 6'20"

Without Words (2010) for quintet: 3 hangs, clarinet/bclar, two violins and cello, 8'45"
Arrangements available with percussion/piano replacing hangs

Large Ensemble/Orchestra

Albion Trails (2009) for octet: flute, clar/bclar, horn, vibraphone, harp, violin, viola, cello, 7'00"

Lodestar (2009) for sinfonietta, 6'40"

Acousmatic

Piano Poems (2014) four electroacoustic miniatures, 7'40"

Miksang (2011) stereo acousmatic, composed to accompany a contemporary ballet by choreographer Letizia Mazzeo, 11'52"

Vocal/Choral

The Madness of Lady Macbeth (2009) for soprano and piano, 4'00"

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